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It’s probably no surprise that the deaf, one-eyed, mis-shapen monster imagined 165 years ago by Victor Hugo would resurface in the Disney version as a gee-whiz, cuddly creature with the innocence of E. With a score by composer Alan Menken and lyricist Stephen Schwartz — the team behind last year’s “Pocahontas”– that lacks, on first hearing, any breakout numbers, “Hunchback” doesn’t play or sound like the kind of blockbuster Disney is used to.

On the other hand, it is surprising just how dark and horrific Disney’s visually astonishing 34th animated feature, The Hunchback of Notre Dame is for most of its 86 minutes.

With its complex architecture: from the two entrance doors to the spiers and numerous statues adorning the building, the church deserves a visit.

Bright inside, I would particularly like to mention the beautiful carved wooden pulpit and the Princes de la Tour and Taxis chapel (at the bottom of the left side entering the main door), but I think that all the interior is worth a visit.

We enjoyed our visit despite some beggars in front of the church.

Opposite the church, there is a memorial plaque where the Thurn und Taxis family had their residence and as imperial postmasters had founded the first international postal service in 1516.

It is a very popular place, well known by tourists, who come here to find antiques in one of the shops that populate it, or even more during the weekend, when takes place here a real antique market, with stalls offering all kinds of goods capable of attracting curious or spendthrift tourists.

Purists will have a field day with “Hunchback,” much as they had with “Pocahontas.” Tab Murphy, Irene Mecchi, Bob Tzudiker, Noni White and Jonathan Roberts have simplified the novel’s sprawling narrative and complex characters.

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“Our mission is to directly engage our audiences with the works of Shakespeare both on the page and on the stage.

This once-in-a-lifetime opportunity to host the First Folio in a venue as iconic as Notre Dame’s Hesburgh Library will provide the wider Michiana community with an entirely new way to experience one of the world’s greatest dramatists.” Many of Shakespeare's plays, which were written to be performed, were not published during his lifetime.